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This is how House of X collapses. Foretold and set in the final months of 2023, the end of the Krakoa era begins in earnest with the release of the Marvel movie. Collapse of the X family #1. Collapse of the X family One of two interconnected series, the other is Rise of the Powers of X — It would mark the end of the Krakoa era. There are also other miniseries such as dead x-men, Resurrection of Magnetoand one shot X-Men: ForeverLeading to the end of this era, autumn and rise These are meant to reflect the two interconnected series that began the Krakoa era in 2019 — house of x and power of x. While these titles have been released, the rest of the X-Men line has been put on hold, similar to what a complete shutdown and reboot would have resulted in. House and powers years ago. Collapse of the X family #1 written by Jerry Duggan, art by Lukas Werneck, colors by Brian Valenza, letters by VC’s Travis Lanham, designs by Tom Mueller and Jay Bowen, War for the Mutant Kind It is a powerful stage setting.
This issue is a massive undertaking. The Krakoan era is packed with storytelling that has evolved over the years, and this series ( rise) is being billed as the culmination of those years of stories. We have to weave together many threads across multiple titles while also making it friendly to people who haven’t been with us all along. The title and location of End of an Era also evokes one of his comics, The Greatest Superhero of All Time. Unfortunately, that expectation ultimately works against the issue.
Duggan writes great superhero comics. He is able to plot fun, engaging, and action-packed stories with twists and turns that keep readers hooked. This issue sets the stage for the coming war. Mutantkind was exploited, destroyed, and outlawed by Orchis. Cyclops, and by extension Mutantdom, are on trial for the world to see. The surviving X-Men muster together for some sort of counterattack, and this issue features the opening salvo. The pacing here is great. It has a calm-before-the-storm feel to it, and some of Cyclops’ best work to date.
Nevertheless, this problem feels a little overwhelming. The past few months in the X-Men comics have been setting the stage for what’s to come in the series. Now the first issue has arrived and is mostly set. This is somewhat understandable considering this is the first issue. It needs to be new reader friendly and a lot needs to be established before things escalate. But I can’t help but compare this issue. house of x #1, and how monumental it felt. This alone will not have the same impact.
Verneck delivers art that absolutely lives up to the hype. Verneck became one of the artistic pillars of the Krakoa era due to his excellent work in both fields. Magneto’s Trial and immortal x-menSo it would be very welcome to see him explain some of the official end of this era. His characterization is top-notch and imbued with an incredible level of personality. Scenes filled with dialogue feel as intense as fistfights, thanks to the pacing, expressions, and camera movement. Of course, this issue is about mutants going to war, and Verneck brings us the beginnings of that action.
The collapse of the X family proves it. [SPOILER] It was the original mutant technology.
Marvel has confirmed the first piece of mutant technology that just so happens to be the X-Men’s most iconic move.
Although the conflict has not yet escalated into a full-scale war, there are still fascists who need to be hit. Verneck depicts Wolverine, Colossus, and others in classic costumes, kicking Orchis to the ground. The action is creative, exaggerated, and sometimes brutal. Art brings drama and significance to a story. A lot of that is thanks to Valenza’s coloring. Various moments are given real weight through lighting, and moments of shock and power are expressed with strong highlights.
As always, Lanham’s lettering is great. Clean narration boxes and speech bubbles guide the reader along each page. Dialogue often works in tandem with art to create satisfying story beats. Lanham also makes effective use of sound effects and emphatic text choices within the action. Muller and Bowen’s design work takes center stage on Data Page, a staple of his X-Men comics from the Krakoan era, and it’s as clean as ever.
It’s nice to have another page of data at the end of the row, but its contents serve as a bit of a microcosm of the problem with the problem itself.The data page is there — evoke house of x, but it doesn’t have the same essence. This issue wants to be as epic as the beginning of the Krakoa era, and while it’s a solid issue, it hasn’t quite reached those heights yet.and Collapse of the X family #1 Duggan and the rest of the creative team delivered some great moments in an issue that defies expectations.
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