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The director who made his breakthrough with “Frontier(s)” and made the film version of the brutal “Hitman” has started “Mayhem”! Comes with a pretty effective prologue. We are introduced to Sam (Nassim Rees), who is training in a prison gym, where a huge fight breaks out. Sam is removed from the action, and his reticence is admired in the next scene. The idea is that Sam is the kind of guy who can kill with a punch, but he also knows the cost of violence. Shortly after his release, he enters a construction site chased by nameless thugs and ends up killing one of them in self-defense. In order to get away from both the law and even those who want him dead, he flees to Thailand, where he meets a woman named Mia (Lorin Nunai) and has a completely new relationship with her and her daughter Dara (Chananticha Tan). Start living. Mulberry).
Years later, Sam and his wife want to buy waterfront property, but are thwarted by crime lord Naron (Olivier Gourmet). It turns out that corrupt powerful people want the land and will do anything to get it, including killing Sam’s wife and daughter. Sam survives the attack, although the reason is only explained in the movie. Finally, it gets down to business as a revenge thriller where the main character hunts down and kills everyone who has ruined his life. It takes about 45 minutes to get here. This is a very long run-up for a movie that allows everyone in the theater to watch it in sequence starting near the beginning of the movie. It’s the kind of slow burn structure you often see in horror, but it doesn’t really work.
Once upon a time, “Mayhem!” punches, kicks, shoots, and stabs, but it’s certainly hard to deny Gens’ skill when it comes to that kind of skill. There’s a hallway sequence, not an “Old Boy” sequence, but an earlier scene of a brawl in the mansion, which is very well choreographed, and later on Sam has to take down an armed enemy in a tough situation. The aforementioned elevator sequence must be above. space. Rise definitely has action star chops in these scenes, even if he’s not as effective on the dramatic beats.
Gens and his team also don’t quite understand the story they’re telling, and are only aiming for a gritty thriller about child trafficking and gang violence, lacking any sense of realism through their immortal heroes. Sometimes it feels like you’re just exploding. It doesn’t help that movies like this take on real issues like sex trafficking, as it just adds a layer of filth to what is essentially escapism. There’s a reason “John Wick” was about a man taking revenge on his dog. Simple is often better, and too often abuse and shallow characterization confuse what works. Come to think of it, that movie could have been called “John Wick”! And no one would have complained.
At the theater today.
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