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Movie Review: The Beginning of the End
Released at 17:00 on Friday, January 5, 2024
THE END WE START FROM, based on the novel by Megan Hunter, is also a movie that I have been looking forward to and have been eyeing since the production stage. As a big fan of Jodie Comer’s work, I was expecting great things from her in her performance, but nothing could have prepared me for her role in this movie. It was a heartbreaking emotional victory for her, and what moved me most was the film’s focus on women’s strength and resilience in times of crisis.
Although this film is made for all audiences, I think it will especially resonate with women who see themselves and their experiences in the context of their journeys and relationships with those around them. We may not have lived through the apocalypse, but we have faced mental challenges, such as having to be strong for those around us when we feel like we don’t have much left. I’ve been doing it. And through this period of turmoil, we learned the most about ourselves. More than that, I love that this film has strong female voices both behind and in front of the camera. Directed by Mahalia Bello, written by Alice Birch, with cinematographer Susie LaBelle behind the camera, and a host of female producers (including Jodie Comer herself), such a project would be the first of its kind in Hollywood. It needs to be seen more.
A new mother (Jodie Comer), baby Zeb and her partner (Joel Fry) are forced to evacuate their London home when flooding threatens to flood low-lying areas of England. The family was able to evacuate to their parents’ home, but unfortunately the situation became more dangerous as time passed. With food in short supply and the security situation collapsing, families have to seek help from local shelters. But can they trust the people there? Is this too good to be true?
I found it particularly refreshing that, unlike a post-apocalyptic story like The Walking Dead, there was a lot of hope and faith in humanity in this story. Of course, the film has stakes and depicts the incredible danger of society collapsing. But woven throughout is the belief that even in the darkest moments, things will always get better and that not everyone is bad. I found myself constantly criticizing the mother for being so trusting of strangers, but the film consistently rejects the trope of strangers being dangerous, and this It’s a twist on the genre itself.
Most of all, I love that THE END WE START FROM perfectly balances heartbreaking emotion, humor, and angst with Comer’s incredible range. In one scene, she belts out “I’ve Had The Time Of My Life,” and in another, she’s naked in the ocean, crying out to heaven about her dire situation. shouting. Literally every scene in the movie uses her incredible charisma on screen to make viewers immediately empathize with and care about her character. I can’t imagine the mental toll a role like this takes on a person…but what I’m talking about, after all, is the most amazing performance I’ve ever seen in Broadway’s Prima Facier. I’m talking about Jodie Comer who performed one of the live performances (and it was). (sometimes twice in one day) So is it really that surprising?
Of course, Comer’s solo performance is impressive, but there is also a lot to be said for her main relationships with the characters that make up the heart of the film. First is her relationship with baby Zeb. As a result, there are many endearing scenes (my favorite being Comer talking to the baby about Grease), as well as some terrifying moments where she worries for the safety of both mother and child. Second, and perhaps even more special, is her character’s friendship with O (Katherine Waterston), her fellow mother and shelter resident. O is a beacon of light in a very frightening situation and a person her mother trusts more than her partner as she searches for her sanctuary. Their friendship is one of the main love stories in this movie, and one that I honestly cared about more than the relationships between the women and their partners, which were decidedly complicated.
THE END WE START FROM is a beautiful portrait of female power and fortitude set in a post-apocalyptic era. It’s a mind-blowing film that will keep you hooked from start to finish, not only because of its heartbreaking subject matter, but also because of Jodie Comer’s knockout performance.
My review: A
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