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![Theater 3, I Love You You're Perfect, Now Change, 2023](https://dallasvoice.com/wp-content/uploads/2024/01/ILY24Press-220-Edit.jpg)
“I Love You, You’re Perfect, Now Change” returns to Theater Two this month. (Photo courtesy of Jeffrey Schmidt)
Stage Notes is a weekly aggregate post about theater, classical music, stage news, events, reviews, and other related information.
stage notes calendar
This week’s business hours:
Dallas Symphony Orchestra: elgar cello concertothrough Sunday at Meyerson.
Junior players: Musical “Legally Blonde”through Sunday at Moody Performance Hall.
Fort Worth Symphony Orchestra: mozart and stravinsky With Dallas Black Dance Theater, Fridays through Sundays, January, at Bass Hall..
Orchestra of New Spain: pastorella of epiphanySaturday 6:30 p.m., St. Philip the Apostle Church.
Orchestra of New Spain: pastorella of epiphany7 p.m. Sunday at St. Monica Catholic Church.
Lyrics stage: producerJanuary 11-14 at Moody Performance Hall.
Elevator project: elm bush Presented by Soul Rep Theater Company, January 11th-21st at Wiley.
Rover Drama Works: Here lies Jeremy TroyJanuary 11-27 at Cox Playhouse.
Broadway at the Center: small jagged pillat Winspear from January 12th to 14th..
Now on stage:
Pegasus Theater: Death Express from Living Black and WhiteDecember 29th to January 21st at the Eiseman Center.
T3’s Theater Too is back I love you, you are perfect, change now
Theater Three is bringing back its longest-running musical this month. Written by Jordi Pietro and with music by Jimmy Roberts, his romantic comedies explore the quirks and joys of love for viewers, whether they’re single, in a relationship, or forever married. Director Alejandro Saucedo, ILYYPNC Open from January 18th to February. Too much space in theater T3 downstairs – 25.
“We are excited about the opportunity to reimagine Theater Three’s classics and highlight a variety of experiences in our 2024 production,” Saucedo said in a press release. “Romance, along with the hopes and cheerful disappointments that come with it, is for everyone and that is my vision. I love you, you are perfect, change now For the new year. ”
T3 will make your Valentine’s Day performance a little more special on date night. And we love how free they are about it.
Group rates for this special event are for couples ($150 for 2 tickets), 3 people ($180 for 3 tickets), double dates ($200 for 4 tickets), and key parties ($150 for 10 tickets). Tickets are available for $400. Those who attend this performance will receive champagne, chocolates, and flowers as gifts.
This year’s cast includes Brett Warner, Samantha Padilla, Jonah Munro, Kevin Solis, and stand-ins Jaclyn Gonzalez-Stapp and Andre Williams. In addition to Saucedo, the creative team includes musical director Cody Drai, stage manager Claire Bosshart, set designer Jeffrey Schmidt, lighting designer Imani McCants, costume designer Karina Sanchez, and prop designer Sarah Burns. Names are listed.
Tickets are available here.
Second Thought Theater announces season packed with premieres
![](https://dallasvoice.com/wp-content/uploads/2024/01/STT-company.png)
Second Thought Theater: Jose Torres (Technical Director), Carson McCain (Artistic Director), Parker Gray (Executive Director), Sasha Maya Ada (Marketing Director) (Photo by Evan Michael Woods)
Second Thought Theater said this new season in 2024 was designed to foster empathy. Our company will also be celebrating its 20th anniversary this year. This season will feature three of his premiere works, as well as STT’s new playwright initiatives. The season begins in the spring and ends in the fall, with three pieces created.
Throughout the year, STT will host its first “Thought Process: Playwriting Group.” A year-long monthly gathering of local writers provides a safe, low-risk space for playwrights to connect with peers and share the pages of their writing.
“Opportunities are growing for DFW’s theater artists, and as Carson and I looked around our community for ways to continue to serve and nurture the metroplex’s great talent, one group stood out to us. He is a playwright,” the STT Secretary General said. “There are a lot of great writers that we know here in DFW, but I also think there are a lot of writers that are yet to be introduced. But there are very few opportunities for local writers to develop and experiment with their own work. No, please enter [the] thought process. That’s what we want to offer. A safe, supportive, and engaging space for local writers to “write and find out.” ”
Interested playwrights can click here to learn more.
The season includes:
March 27th – April 13th: Heroes of the Fourth Turning Period Written by Will Arbery. This regional premiere will be directed by Jay Duffer, with Alejandro Saucedo serving as assistant director. heroes “It was intentionally chosen for the Dallas audience during an election year,” executive director Parker Gray said in the season announcement.
It’s nearing midnight in Wyoming, and four young conservatives are gathered at a backyard afterparty. They went home to toast their new leader, Gina, as president of a small Catholic university. But as their reunion spirals into spiritual turmoil and intergenerational political conflict, it becomes less of a celebration and more of a vicious battle to be understood. On a cold night in the middle of America, Will Arbery’s haunting play brings grace and disarming clarity to the heart of a nation at war with its own.
The play was a finalist for the 2020 Pulitzer Prize in Drama and won the 2020 Lucille Lortel Award for Outstanding Play, the 2020 New York Drama Critics Circle Award for Best Play, and the Whiting Award for Drama.
June 26th to July 13th: WINK Written by Jen Silverman. Directed by Jenna Burnett, this regional premiere stars Garrett Storms as Wink the Cat.
Sophie is an unhappy housewife. Gregor is her breadwinner and husband. Dr. Franz is their psychiatrist. Wink is a cat. And Gregor has just skinned the cat. Violent desire, domestic terrorism, and feline revenge by any means necessary make WINK a dark comedy that walks the fine line between barbarism and civilization.
“There are very few things in this world that mean anything to me,” Gray said. “But what are the four things that make absolute and perfect sense to me? A combination of Jen Silverman’s plays directed by Jenna Burnett and starring Garrett Storms as Cat. , all taking place on stage at Second Thought. It’s the perfect quaint, quirky, divine, and theatrical if you ask me.”
October 16th – November 2: Hang Up “Sasha Maya Ada” by Debbie Tucker Green has its national premiere and is directed by Sasha Maya Ada. his life. in her hands. Green’s Hang is a shocking play about one woman’s indescribable decision.
“This play packs a punch. When Carson and I read this play, we knew it had to be directed by Sasha Maya Ada. Admirs of Second Thought’s 2022 Hits Produced by Antoinette Nwandu pass over Sasha and Second Thought are promising. This American premiere offers a similar, but entirely unique, experience. Debbie Tucker Green is sure to be something you’ll want to talk to in the parking lot later. ”
Tickets and subscriptions are available here.
Classic Theater Project Announces 2024 Season
TCTP threw its 2024 Season Announcement Party in full force last month at Bitter Sisters Brewery, featuring music, a silent auction, readings and more. The company has announced four shows for the year starting in March. All performances will be held at Stone Cottage in Addison.
The new season of TCTP includes:
March 8th – April 13th: Glass Zoo Written by Tennessee Williams, directed by Jackie L. Kemp.
May 5th – June 17th: Oleana Written by David Mamet, directed by April Miller.
July 8th – August 24th: True West Written by Sam Shepard, directed by Terry Martin.
Fall dates to be determined: Hamlet Written by William Shakespeare, directed by Joey Folsom.
Ticket sales have not yet been announced.
Eye stain
In my article in the year-end issue, “Stage Notes: Looking Back on Theater in 2023,” I focused on the many women who have had a huge impact on theater over the past year for me. In 2023, women’s voices were shining louder and brighter, whether on stage, behind the scenes, or as the subject matter of a play. In my writing, I have focused on plays and actors that I have personally seen, which inevitably leads to the omission of other works.
Thankfully, I received emails from people I shouldn’t have missed, so I thought I’d post them here. And please continue to welcome us. All theater is a creative collaborative process, but it was clear to me that women and women presenting area theater creatives were completely evil.
From Dennis Lee:
All of these women and theaters deserve all the praise given, but I was very disappointed to see that there was no mention of Teresa Coleman Wash or the Bishop Arts Theater Center. At least this is the third time I’ve noticed this woman’s contribution to the community omitted, and I wonder why she continues to be ignored.
Teresa and her team opened the Bishop Arts Theater’s 30th season with an adaptation of Othello, written by a Latina playwright, with an African American woman in the title role. However, despite her best efforts, not only did they fail to attract media attention, but even though she made the cover of this work, she did not give people credit for her 30 years of great achievements. I couldn’t even ask for it. And what she had to overcome to make Bishop Arts what it is today. The theater is nationally known for its founder and executive director, a woman of color, as well as for the legacy of Old TECO and Teresa. They own the buildings the theaters are in and are consistently profitable, something few if any theaters can claim. She has produced a hugely successful Jazz Her series supporting national and local musicians. We have summer programs for children and continue to support local playwrights and emerging directors.
Please know that I have been a friend and fan of Dallas Voices for many years!! Articles written about the accomplishments of women in our community who have made significant contributions to the theater world. I can’t understand why Teresa’s name and Bishop Arts Theater aren’t getting more attention when I see .
My sole purpose is to raise awareness and raise awareness about women-run theaters that have consistently supported local actors, playwrights, and creators. And they did it despite a lot of fundamentals stacked against them, including recognition from their hometown.
– Rich Lopez
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