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The Predator series has a unique comic history dating back to the late ’80s, when Dark Horse Comics regularly published limited series and one-shots, with surprising cross-sections with Batman, Judge Dredd, and most recently, Archie. There were also some oversized works. Last year, Disney finally settled a copyright dispute with the original Predator screenwriter and released the comic book a year later than planned. But that didn’t deter them from going the crossover route. They have a ton of Marvel Comics characters to choose from, and who better to headline than Wolverine himself? As the bad blood between Logan and the Yautja Hunter continues, the fourth and final issue explores their decades-long rivalry and brings a definitive end to their bloody feud.
Written by Benjamin Percy, illustrated by Ken Lashley, Kay Zama, and Gavin Guidry, with colors by Juan Fernandez, Alex Guimarães, and Matthew Wilson, and a letter from VC’s Cory Petit. Predator vs Wolverine #4 puts an end to the fierce rivalry, but there’s even more gory action and hair-raising twists to come. The story begins in the present day, when Wolverine uses the biomask of a nameless hunter to set a trap to track him down. As the ferocious predator breaks through everything to reach the mask, Wolverine emerges from the shadows to confront him one last time. The story then moves to the past. There, both had the opportunity to decapitate each other long ago.
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Readers have been peeking at the story through the cracks in the timeline for some time now, as the past has taken all attention away from the main story. Predator vs Wolverine #4 is no exception. But since modern conflicts take up a significant portion of the book, author Benjamin Percy eliminates all teasing. Still, the feuds have been more intriguing in the past, turning this series into more than just a fierce battle between pop culture’s famous hunters. If the reader looks closely, the Yautja despair is well explained through a non-linear narrative. In the past, when Hunter met Logan, he was still adhering to the rules of engagement. Later, when he attacked the X-Mansion, he didn’t care about hurting children or disabled people, as his only goal was to get his target’s adamantium skull into a trophy case, but some of the Yautja This doesn’t seem like an honorable hunt, considering it violates the rules of hunting. Percy also shows Wolverine’s desperation as he realizes he is one step behind in every situation. This is where the real tension comes from, with Wolverine becoming the victim of a role reversal. But with Logan being so persistent throughout the narration, the story was already rooting for him as the underdog, and neither of them were able to have a fair fight.
Ken Lashley depicts current scenarios in the most dynamic way, using panels that quickly change with the scene. In most cases, Wolverine or Predator will be moving and staggered by the attack. Juan Fernandez takes his gore up a notch, bleeding red and green in the name of action. Kei Zama takes charge of Logan’s warrior training and dresses him and Muramasa in traditional costumes. But the harsh ink and background art of cherry blossom-covered trees make this segment stand out.
Alex Guimarães further accentuates the dichotomy with bright lighting that shows blooming pink flowers against a blue sky. Gavin Guidry and Matthew Wilson team up for his X-Men story, playfully rendering every object within the panel and using color gradients to infuse the drama onto the page. Despite its minimalist style, Wilson’s use of deep red for the dancing flames in the fireplace and Guidry’s low-angle shots make Predator particularly monstrous. Between Logan’s curse-filled utterances and the Yautja’s uncontrollable growls, letter writer Corey Petit paces the story with a yellow narration box that follows Wolverine like a seven-foot stalker from outer space. It’s stabilized.
Predator vs Wolverine #4 is non-stop action as mutants and Yautja unleash their fury along with their claws and wristblades. But the real tension builds just before the end, when the two men refuse to give in, exchanging violent blows and perhaps venting their pent-up frustrations. It’s a gruesome incident that fully satisfies the imaginations of fans on both sides. In the House of Idea’s general plan, Predator vs Wolverine #4 is more than just a fanservice crossover event. It recreates much of Logan’s backstory in an unprecedented way, leaving readers wondering how else the Predator’s arrival changed Marvel’s history.
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